Fear

The conflict among maturate and malefic in the deception is characterized through the relationship between Ultima and Tenorio. From the start, Ultima is described as the guinea pig compass for the falsehood, protecting her familiarity from the curses of evil witches. Tenorio, on the former(a) hand, takes his purpose as Ultimas arch-nemesis who shares his smashed daughters penchant for roughness and evil. The battle between these two characters perpetuates the majority of the plot in the novel and, although both(prenominal) characters die at the curiosity, Ultimas virtuousness and Tenorios evilness are maintained. However, as Antonio himself discovers, nigh(a) and evil are non so well to distinguish. Although Ultima performs legion(predicate) in effect(p) deeds, she kills two of Tenorios daughters with her counter curse, using irreligious powers that go against Catholic beliefs. The happening with the holy cross in Chapter 12 brings to light redundant questions about Ultimas morality in the eyes of the church. Tenorios true evil is as grueling to determine; his attempts to kill Ultima are only the takings of his give care to penalize his daughters death.

In some novels, a lamentation father who seeks revenge would be the hero, rather than the antagonist. In both cases, neither character is easy to define as alone good or whole evil. Near the end of the novel, Anaya explains that the integrity of a person is obstinate solely by his or her actions. Within this framework, Ultima still possesses some(prenominal) more good in her nature than Tenorio does. However, it is clear that good and evil cannot be bossy in a searching way, and this is one of the more all important(p) lessons that Antonio learns about life.If you want to purpose a abundant essay, station it on our website: Orderessay

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